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Hello Thing.
Hello Thing
We had the actual actor, Victor, on set at all times.
We had the actual actor Victor on set at all times
Actual filming process was,
Actual filming process was
it's just like working with another actor.
it's just like working with another actor
You're reacting and he's speaking.
You're reacting and he's speaking
He's signing.
He's signing
Thing is a classic character in the Addams Family canon.
Thing is a classic character in the Addams Family canon
The first phone call I had with Tim,
The first phone call I had with Tim
he wanted Thing to be derived from an actor, a performer.
he wanted Thing to be derived from an actor a performer
So we set out to find us an actor who could do the part.
So we set out to find us an actor who could do the part
Somebody who had the right look to the hands,
Somebody who had the right look to the hands
who had nimble fingers, was able to do all of these moves.
who had nimble fingers was able to do all of these moves
Also, they had to be young enough
Also they had to be young enough
and supple enough to fit in very awkward situations.
and supple enough to fit in very awkward situations
Victor's a magician by trade.
Victor's a magician by trade
That's what he does.
That's what he does
That's how he makes his living.
That's how he makes his living
He's never been an actor.
He's never been an actor
So we brought him in and we started
So we brought him in and we started
doing rehearsals with him to see what he could do
doing rehearsals with him to see what he could do
and to show him what worked with a walk
and to show him what worked with a walk
and what didn't work with a walk.
and what didn't work with a walk
And that first scene he kinda really nailed.
And that first scene he kinda really nailed
It's pretty hard to create from start to end.
It's pretty hard to create from start to end
Even the way he talks, it's pretty hard
Even the way he talks it's pretty hard
to find movements that can express feelings.
to find movements that can express feelings
I'm not above breaking a few fingers.
I'm not above breaking a few fingers
For example, in love or angry.
For example in love or angry
Everything is pretty hard when you do it with a real actor.
Everything is pretty hard when you do it with a real actor
Yes, and serial killers.
Yes and serial killers
With Jenna, she accepted it really quickly
With Jenna she accepted it really quickly
that she's talking to a hand.
that she's talking to a hand
I know I'm stubborn, single minded and obsessive.
I know I'm stubborn single minded and obsessive
It honestly wasn't difficult at all.
It honestly wasn't difficult at all
It was more so difficult where if I had to interact with him
It was more so difficult where if I had to interact with him
and I had to pretend he was there and hold nothing.
and I had to pretend he was there and hold nothing
Did you really think my highly trained olfactory sense
Did you really think my highly trained olfactory sense
wouldn't pick up on the faint whiff
wouldn't pick up on the faint whiff
of Neroli and Bergamot in your favorite hand lotion?
of Neroli and Bergamot in your favorite hand lotion
I could do this all day.
I could do this all day
On set you have to prepare with the VFX guys.
On set you have to prepare with the VFX guys
They have to see what angle do they use,
They have to see what angle do they use
how is Thing positioning, find ways to hide Thing.
how is Thing positioning find ways to hide Thing
For example, under the bed.
For example under the bed
"Hey, I can't fit under the bed,
Hey I can't fit under the bed
let's make a hole in the floor."
let's make a hole in the floor
"Hey, I can't fit under the floor,
Hey I can't fit under the floor
let's raise the whole building in the air,
let's raise the whole building in the air
so put him under the floor."
so put him under the floor
We would need to do the CG thing as well.
We would need to do the CG thing as well
But only when pretty much everything else failed.
But only when pretty much everything else failed
I think the tedious part about it
I think the tedious part about it
was they had to use a ball and chart for special effects.
was they had to use a ball and chart for special effects
So every single setup we did
So every single setup we did
someone would have to come in with a gray ball,
someone would have to come in with a gray ball
silver ball, chip chart with all these colors.
silver ball chip chart with all these colors
And that is when we would kinda slow down
And that is when we would kinda slow down
in our days a bit.
in our days a bit
We're going to see Galpin.
We're going to see Galpin
I'm not stop...
I'm not stop
Well you've got a hand on set and he's acting.
Well you've got a hand on set and he's acting
And normally, when you talk about a paint out
And normally when you talk about a paint out
in visual effects, "Oh yeah, a paint out is easy."
in visual effects Oh yeah a paint out is easy
But we're painting out 90% of the human being
But we're painting out 90 of the human being
that's dominating the shot,
that's dominating the shot
and keeping the 10% that's the hand.
and keeping the 10 that's the hand
It's actually very hard to do.
It's actually very hard to do
It's slow for the crew, 'cause they have to light it
It's slow for the crew 'cause they have to light it
in such a way that Victor's not casting shadows.
in such a way that Victor's not casting shadows
So there's a lot that goes into doing it.
So there's a lot that goes into doing it
This isn't weird at all.
This isn't weird at all
The VFX guys, me,
The VFX guys me
we all tried to make a teamwork for Thing
we all tried to make a teamwork for Thing
and what it ended up looking like, it's awesome.
and what it ended up looking like it's awesome
Talking speed

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